Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and PraiseBeginner Guitar Lesson with Easy Chords
In this guide we will break down the chords and the strumming pattern you need to master this piece
Table of Contents
- Chord Information
- Db Chord
- Ab Chord
- Cm Chord
- Fm Chord
- Abm Chord
- Bbm Chord
- Eb Chord
- F Chord
- Ebm Chord
- Bb Chord
- Dbm Chord
- Gb Chord
- B Chord
- Strumming pattern
- Play Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise with Guitar Learning Game
- Choosing the Right Guitar for Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise
The key chord in Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise by Faith and Praise Gospel Collection is Db.
The other chords are also central to the melody, and we’ll go over those in a moment. It’s the combination of these chords that creates the unique sound of this song that we’ve all come to love.
Chords for Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise by Faith and Praise Gospel Collection
There are 13 chords in Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise by Faith and Praise Gospel Collection. These are Db, Ab, Cm, Fm, Abm, Bbm, Eb, F, Ebm, Bb, Dbm, Gb, B respectively. Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise is a wonderful song to play and we are excited to help you learn it. Let’s get into the chord breakdown with Guitar Learning Game.
Db Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Ab Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Cm Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 3rd fret of A string (5th string)
Fm Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 1st fret of G string (3rd string)
Abm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Bbm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Eb Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
F Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 2nd fret of G string (3rd string)
Ebm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Bb Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Dbm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Gb Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
B Chord
- Index finger: 1st fret of high E string (1st string),
- Middle finger: 2nd fret of A string (5th string),
- Ring finger: 3rd fret of D string (4th string),
- Pinky finger: 3rd fret of G string (3rd string)
The strumming pattern of Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise:
↓ ↓ ↑ ↑ ↓ ↑
↓: Downstroke, ↑: Upstroke
Before you get started, remember that practice makes perfect. It’s okay if you don’t get it right immediately. The important thing is to keep trying and to enjoy the process.
Another tip for mastering Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise is to listen to the original track by Faith and Praise Gospel Collection as often as you can. This will help you understand the timing and the feel of the song, making it easier for you to replicate on your guitar.
Remember, the best way to improve is to play regularly.
So pick up your guitar, play Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise, and let the music flow!
And that’s it! With these chords and strumming pattern, you are now equipped to play Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise by Faith and Praise Gospel Collection on your guitar. We hope this guide helps you in your musical journey. Keep practicing, and soon you’ll be playing Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise like a pro.
Don’t forget to check out our other guitar tutorials for more songs by Faith and Praise Gospel Collection and many other artists. Happy playing!
Learn to Play Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise with Guitar Learning Game
Best Guitar Types for Playing Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise
Choosing the right guitar for Faith and Praise Gospel Collection – Jesus You Been Good to Me, Willie Neal Johnson and the New Gospel Keynotes, 1995, Faith and Praise is vital to capture the essence and dynamics. Begin by analyzing the original tone; is it warm and resonant or sharp and electric? For acustic nuances, a classic dreadnought or an orchestra model might be the best fit. If the song leans towards electric vibes, consider the difference in sound between single-coil pickups (bright and clear) and humbuckers (rich and full).