Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to MeBeginner Guitar Lesson with Easy Chords
In this guide we will break down the chords and the strumming pattern you need to master this piece
Table of Contents
- Chord Information
- C Chord
- Ab Chord
- Db Chord
- Ebm Chord
- Eb Chord
- Cm Chord
- Bbm Chord
- Bb Chord
- Fm Chord
- F# Chord
- Abm Chord
- G Chord
- D Chord
- B Chord
- F Chord
- Gm Chord
- A Chord
- Strumming pattern
- Play Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me with Guitar Learning Game
- Choosing the Right Guitar for Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me
The key chord in Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me by Willie Neal Johnson & the Gospel Keynotes is C.
The other chords are also central to the melody, and we’ll go over those in a moment. It’s the combination of these chords that creates the unique sound of this song that we’ve all come to love.
Chords for Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me by Willie Neal Johnson & the Gospel Keynotes
There are 17 chords in Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me by Willie Neal Johnson & the Gospel Keynotes. These are C, Ab, Db, Ebm, Eb, Cm, Bbm, Bb, Fm, F#, Abm, G, D, B, F, Gm, A respectively. Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me is a wonderful song to play and we are excited to help you learn it. Let’s get into the chord breakdown with Guitar Learning Game.
C Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 2nd fret of D string (4th string),
- Ring finger: 3rd fret of A string (5th string)
Ab Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Db Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Ebm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Eb Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Cm Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 3rd fret of A string (5th string)
Bbm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Bb Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Fm Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 1st fret of G string (3rd string)
F# Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
Abm Chord
- Barre the 1st fret with your index finger across all strings,
- Use your other fingers on the 3rd fret of the A, D, and G strings
G Chord
- Index finger: 2nd fret of A string (5th string),
- Middle finger: 3rd fret of low E string (6th string),
- Ring finger: 3rd fret of B string (2nd string),
- Pinky finger: 3rd fret of high E string (1st string)
D Chord
- Index finger: 2nd fret of G string (3rd string),
- Ring finger: 3rd fret of B string (2nd string),
- Middle finger: 2nd fret of high E string (1st string)
B Chord
- Index finger: 1st fret of high E string (1st string),
- Middle finger: 2nd fret of A string (5th string),
- Ring finger: 3rd fret of D string (4th string),
- Pinky finger: 3rd fret of G string (3rd string)
F Chord
- Index finger: 1st fret of B string (2nd string),
- Middle finger: 1st fret of high E string (1st string),
- Ring finger: 2nd fret of G string (3rd string)
Gm Chord
- Index finger: 1st fret of high E string (1st string),
- Middle finger: 3rd fret of B string (2nd string),
- Ring finger: 3rd fret of G string (3rd string)
A Chord
- Index finger: 1st fret of G string (3rd string),
- Middle finger: 2nd fret of D string (4th string),
- Ring finger: 2nd fret of B string (2nd string)
The strumming pattern of Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me:
↓ ↓ ↑ ↑ ↓ ↑
↓: Downstroke, ↑: Upstroke
Before you get started, remember that practice makes perfect. It’s okay if you don’t get it right immediately. The important thing is to keep trying and to enjoy the process.
Another tip for mastering Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me is to listen to the original track by Willie Neal Johnson & the Gospel Keynotes as often as you can. This will help you understand the timing and the feel of the song, making it easier for you to replicate on your guitar.
Remember, the best way to improve is to play regularly.
So pick up your guitar, play Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me, and let the music flow!
And that’s it! With these chords and strumming pattern, you are now equipped to play Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me by Willie Neal Johnson & the Gospel Keynotes on your guitar. We hope this guide helps you in your musical journey. Keep practicing, and soon you’ll be playing Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me like a pro.
Don’t forget to check out our other guitar tutorials for more songs by Willie Neal Johnson & the Gospel Keynotes and many other artists. Happy playing!
Learn to Play Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me with Guitar Learning Game
Best Guitar Types for Playing Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me
Choosing the right guitar for Willie Neal Johnson & the Gospel Keynotes – Jesus, You’ve Been Good to Me is vital to capture the essence and dynamics. Begin by analyzing the original tone; is it warm and resonant or sharp and electric? For acustic nuances, a classic dreadnought or an orchestra model might be the best fit. If the song leans towards electric vibes, consider the difference in sound between single-coil pickups (bright and clear) and humbuckers (rich and full).